Fujfilm X-T1 ~ Late Night Photography, High ISO, Adverse Conditions and A Very Capable Little Camera

Recently I was invited to photograph The Final Voyage of The Kalakala Ferry.  The circumstances were daunting to say the least.  I would be traveling several miles on a 32 foot boat in one of the waterways in Commencement Bay, near Tacoma, Washington.  The assignment was to begin at 1:30 am and last through the night until around 6:30 am or so.  It was relatively cold, around 40 degrees F, but on the water it was a bit colder.  And it was raining, steady and continuously all night long.  If all that wasn't enough, it was dark.  Very dark.  Maybe a few lights reflecting from the shore here and there but mostly just dark.

The Kalakala moving through the
Hylebos Waterway.

My job was to shoot it as it was being moved by Tug to the Graveyard where it would meet it's demise and be dismantled and forever gone.  I was honored and felt privileged that I would be one of the last photographers to see her float.

But this entry isn't as much about The Kalakala as it is about the Fujifilm X-T1 and it's remarkable ability to perform under really bad conditions.  Cold, wet, windy, lots of movement and very dark.  I probably didn't need to be so surprised when I got home that morning and loaded my photos into Lightroom expecting them to be unusable, but instead finding them to be perfectly usable, but I was.

I had this little mirror-less, APSc sensor, camera handheld for about 5 hours.  Much of the time wrapped in a gallon size ziplock bag with a rubber band around the lens and frequently stuffing it into my coat.  The lens I had mounted was the Fujifilm 18-55 f2.8-4, otherwise know as the Kit lens.  A tripod would have been pretty much useless due to the vibration coming from the boat engine I was on and much of the time I was to far away for flash to be effective, and I don't like using that style of flash.

So my only option was to shoot this little Fuji at 6,400 Iso and to set a shutter speed that would, hopefully, allow me to shoot without too much motion blur.  When possible I did change the aperture but largely it was at f2.8.

The Tug, The Fury, pushing The Kalakala

Long story short, this camera is capable, very capable of performing under some difficult conditions. Are these images perfect?  No, not at all but they work.  This wasn't a professional scenario where big lights and crews were available.  This was a quiet, middle of the night, stealthy kind of project.

Getting on and off a boat in the dark, in the rain from a slippery pier can be a little tricky all by itself. Getting on and off a boat in the dark and in the rain with bags and bags of gear and a tripod would be a different story.  I had no bag, no tripod and used my pockets for all my extras.  One extra lens, batteries, extra SD cards, cleaning cloths etc, all fit nicely into my coat pockets.

In an earlier blog post I wrote about my switch to mirror-less and my choice to go with Fuji and I am still so happy I did.  I really enjoy shooting this camera and don't feel like I'm missing a thing not having my big DSLr.  I'm an amateur, I'm getting up in years (just a little) and lightening my load was important.  But not giving up image quality and performance was important as well.  I don't feel like I gave up either.  I know that a huge mega pixel DSLr will out preform my little X-T1 but for everything I do this has turned out to be the right camera for me.

The Kalakala at her The Graveyard, her final resting place.

More photos can be seen here; http://www.tomcollinsphotography.com/Maritime/The-Kalakala-Ferry

Thanks for following along.

Tom

Road Trip ~ Time for A Fall Mountain Road Trip with the Fuji XT-1

The Little Dude, my travel companion on this trip.

It's that awesome time of year in the Pacific Northwest when the trees turn and amazing colors explode in the midst of all the evergreens.

It's time for a three day road trip to check it out. Destination; Central and south central Cascade Mountains. Mount Adams and the Gifford Pinchot National Forrest. Pictures to follow.

O.k., I'm back and what a wonderful surprise it was to visit this part of the Washington Cascade range.  Not sure why but this was one area I haven't been to but I will be going back frequently.

This being a solo trip, except for the Little Dude, this was my first trip with the Fuji XT-1 and it's "kit lens" the Fuji 18-55mm / f2.8-4 and wow, what a perfect little setup to travel with.  Nice size, nice weight, easy to pack around on hikes and walks and just a blast to use with both an electronic view finder and a tilting LCD screen.

The trip begins at Randle, Washington at the intersection of State Highway 12 and National Forest Road 25.  After turning south on FR25 for a very short distance the next left puts you on FR23 and immediately

the beauty of the Gifford Pinchot Forest begins to unfold.  Fall travel through the Gifford Pinchot seems like the perfect time to go.  Quiet and peaceful.

My destination for the end of my first day was the small town of Trout Lake, Washington.  FR23 to Trout Lake is 56 miles and by typical standards, given that a portion of this road is not paved, the time to travel to Trout Lake should be about one and a half to two hours.

My journey to Trout Lake ended up taking closer to eleven hours.  There's a lot to see and take in on this beautiful drive.  Rivers and streams, small waterfalls, lakes and mountains, valley's and forest floors.

Add in the fact that I'm taking photos and the trip begins to take some time, especially when you stop every mile or two.

The FR23 turned out to be one of the nicest drives I've ever taken.  Paved most of the way with about 10+ miles being unpaved but nicely graded.  Hardly any traffic which was probably a benefit of traveling after school has started and on a weekday.

The scenery along the way is absolutely breathtaking.

The Cispus River

The Cispus crosses back and forth soon after entering the Gifford Pinchot and there are several good viewing points from bridges as well as little hikes along the banks.

The Cispus river

Mt. Adams from Takhlakh Lake

The area here, around Takhlakh Lake is also a campground and day use area.  Nice hikes and beautiful scenery everywhere.  Quiet and peaceful.

Once you're here, at Takhlakh Lake, you're about halfway to Trout Lake, Washington but there's still much to see along the way.  The road continues to climb and I'm not sure but I think you reach an elevation of around 5,000 feet.  All along the drive are beautiful scenes of Mt. Adams.

After arriving in Trout Lake, Washington your choices of places to sleep and eat are a little limited.  There is a really great little market, a gas station and a couple of eateries.  The people I met in town, where I ate and where I stayed were warm and friendly and made the stay there desirable enough to want to go back.

I stayed at the Trout Lake Valley Inn and had some of the best service in one of the cleanest, warmest motels I've ever stayed at. The folks that run and work there are nice and accommodating. The price to stay is unbelievably fair and and throw in the free Wi-Fi and the free breakfast and you just couldn't do better.  I'll stay there again and recommend it highly.

I spent the next day traveling back and heading west through mountain roads, very few of which were paved. The rain came down and the clouds hung low hampering the photo part of my journey.  So I did a little exploring and found an ice cave, natural bridges and an Indian Long House.  This part of the drive took me toward Mt. St. Helens but the clouds were heavy and low so my only shot was the one below and I had to wait for quite some time for them to lift enough to get it.

I ended up cutting the trip a little short as the rain was not forecasted to stop but I still have to report that it was one of the best overnight trips I've had in the Cascades.  And around these parts a little rain can't stop you from being out there.

Mt. St. Helens in the clouds and in the distance

For more photos go to  My Web Page  where a few more images are available.

Thanks for reading and following along.

Tom

Finding my Photo-Mojo with Mobile Photography, Apps and Technology

At times I just get bored.  I loose my "photo mojo" and find myself completely uninspired.  I've been in that kind of funk recently and when I am it's just not a very rewarding time.  So since I'm so in to my hobby and find myself fulfilled with what I do, when I'm not doing it I'm not as happy as I would like to be.  What to do?

Photography is interesting in many ways; understanding light and shadow, being prepared for the "decisive moment", knowing what to shoot and how to shoot it, making it a career or just having fun or finding the artist inside, knowing your gear and understanding the technical side of it, aperture, shutter speed, ISO and lighting.

iPhone 5s edits in Lightroom 5.5

Photography is or can be a life long pursuit and can bring delight to yourself, the people you know and in todays social-network connected world can bring joy to people from around the world.

When I've lost the mojo to go shoot or even know what to shoot, I sometimes turn to gear.  Why, because as a hobbyist and amateur photographer I also like the gear.  Cameras, lenses, bags, tripods, lights, hardware and software and there's an industry out there today like no time in photographic history built specifically to support the photographic community.

iPhone 5s with edits in Photogene

There's stuff out there and available to keep you buying and changing gear for the rest of your life.  But I'm done buying stuff. Well that's easy to say and everyone that knows me would probably say, "not likely", but I'm certainly buying less theses days.

So in my current slump instead of turning to gear and looking for new stuff to buy, I'm turning to the gear I have, the software and Apps I have and I'm looking for new ways to shoot that inspire and bring a little something new to the game and will render a completely different end result.

In the past I've had no respect for the "look" and finish that filters from Instagram, Hipstamatic or the advanced filter settings in cameras give because they seem like just a way to cover a badly photographed scene.

Orchid.  Fuji X-T1 using Advanced Filter "Toy Camera".
Edits in LR5.5 included a vignette and crop.

I still think that but by having an opinion like that I've shut myself out of the fun that those filters can bring when perfection doesn't need to be the goal.  And in fact I wonder if a photo taken with a filter such as these can't also be considered perfect for the story and scene that it's describing through the eye of the person taking it for the story they want to tell.  After all who gets to say what's perfect?

If the documentation of life happening around you is something that fascinates you and you have the inclination to do so, waiting to do it with hundreds, thousands of dollars of gear isn't necessary.  What is important is knowing how you feel about what it is you see and how you want to interpret that feeling and idea into a visual art form, a story, an album, a print.

But whether you have high dollar equipment or your standard smartphone with a built in camera, the filters and finishes available, in most cases for free, can offer you an unimaginable array of moods that you can wrap your story, your idea around and finish with an expression that fits your original idea for the story you wanted to tell.

iPhone 5s with edits in Snapseed

You can do this with filters built into your expensive camera, you can do this with filters built into the camera phone, you can do it in post production on your laptop, desktop or tablet with easy to find, cheap to free apps.  Many of these apps will allow stacking, thereby giving you an opportunity to take a photo and use several (stack) different finishes for creating your very own look.

So for me the idea here is to find my Photo-Mojo, to get inspired to go shoot.  Some of those ways can included buying new stuff, some can include taking a walk or a drive.  Some can include racking your brain for a new idea, a new story to tell.  Or you can dive into your well of apps and filters and play around and find a look you like which may lead to story you might like to tell, which may lead to the place you'd like to shoot it, which may lead to the end of your boredom and with some luck you may find your Photo-Mojo again.

The final take away for me is to not limit myself.  I tend to do that.  I think and train myself that something has to be done in a specific way and then I don't let myself stray.  Straying is the best part. In photography, like in most other areas of life, it's the journey not the destination.  Stray, try everything, have fun.

Good Luck and thanks for reading,

Tom

Fuji XT-1, uploaded to iPad edits in Photogene including the frame

iPhone 5s edits in Lightroom 5.5 with presets

Cell Phone Photography

I am one of the deniers of using cell phone cameras as a legitimate tool for photography.  And I was wrong.  They are legitimate and they're really pretty good and they're a whole lot of fun.  And of course there's the old adage about the best camera is the one you have with you.

Recently, and I know I'm late to the game, I've decided to take my iPhone 5s a little more seriously and give it a real try and a workout to see if I could actually get away with using it on an outing.

iPhone 5s with edits in Lightroom 5.5

I loaded up a few camera apps and a few editing apps and set out to take some pictures.  What I found out and came back with was surprising in a good way and has changed the way I do a few things.

First of all I'm a complete amateur. I love photography as a hobby and I'm involved with it almost constantly.  I really love gear too. I've been through lots of cameras from Nikon and Canon to Leica and Fuji.  I used to love the big DSlrs and the myriad of lenses and bags and filters and flashes and tripods.  Then along came the micro four thirds and the mirror-less generation and improvements have been steadily coming down the road.  Camera manufactures continuously improve their cameras in tiny increments and make the weakest amongst us constantly upgrade to the newer, bigger, better and faster. Camera sales could not possibly have ever been better than they have been for these past 10 years or so.

Now cell phone manufactures have moved into the playing field in a big way and have all but killed the small compact digital camera market.

iPhone 5s edits in Lightroom 5.5

It's no wonder either, with some cameras boasting huge megapixels and glass lenses on a device that is already in your pocket where ever you go anyway, why bother to drag yet one more device along.

So now I've decided to give my iPhone a real try.  I've decided that for it to be serious I needed a good "camera app" and after trying several different ones found the built in one and Camera + to be the best.  For editing apps I've gotten

iPhone 5s edits in Snapseed
I thought the performance here was surprisingly
good since the lighting was a little
difficult and no flash was used.

the most use out of Snapseed and find it the most pleasing to use with the best results.  I've also tried iPhoto and although I'm just getting familiar with it I kind of like it.  I've tried several others, like FilterStorm but for my purposes and my thinking of cell phone photography it and a few others were just to complex for use on a small handheld device.

The secret to it all, for me, is that it has to be easy and fast.  So far I've found the results to be favorable but not great for the discerning photographer.  For the casual snap-shooter, which I am frequently, it's fine.  Lets face it, most of our work, our photos, end up somewhere in digital format on the web or on a slideshow on your T.V. For photos that only get to screens I've found the cell phone to be a suitable and handy camera.  I know there are now galleries around the globe that feature "mobile photography" artists and I've seen some of what they do and it is amazing.  For me any work I do and want to take seriously and possibly print in a large format, mat and frame, I'll need a bigger sensor.  However I did just make an 8x10 glossy print of an iPhone photo and it looked amazing.

But for cell phone cameras that are doing things really well these days, and most likely will only get better, cell phone photography can be taken seriously and a lot of fun can be had.  I don't much care for all the filters that are available in many of the apps that are out there however for many they can not only be a lot of fun they can dress up a cell phone photograph that isn't as perfect as you might like it to be and make it look good.  The true cell phone artists out there are making incredible images using nothing more than their phone and a few apps.

My workflow was important for me to develop as well.  Since my theory here revolves around this being mobile (read fast and on the move) I want it to be easy and straight forward.  Shoot, edit, share. So my workflow goes something like this:  Take the image and have it saved to my Camera Roll; Open Snapseed and make any necessary edits and save it back to my Camera Roll and Share.  Done.  Let me say too that I do not intend in any way to diminish anyone who has chosen to take this genre of photography seriously.  I get it.  It's really awesome and organizations like Mobile Photography Awards proves this point clearly. But as an amateur myself I'll only be interested, for now, in this genre as a fun, quick and easy way to shoot and share pretty decent photos.

iPhone 5s edits in Lightroom 5.5

So is it a serious tool?  I have to say yes.  Is it for everyone?  Probably not.  Will it be something I do more of in the future?  For sure.  From what I hear the next IOS update (IOS 8) from Apple will include upgrades to the camera that will give full manual control with things like aperture, ISO and shutter speed control.  That will make these little pocket cameras even more amazing.

Many of our camera phones today are capable of images that are much better than what some of the great photographers in our history were capable of with their cameras and certainly much better than many or most of the early digital point shoot cameras.  So use your phone in the same way you would use your camera.  Be thoughtful with your compositions, lighting and subject and shoot away.

Thanks for following along,

Tom

Tomato at the Magnolia Farmers Market
iPhone 5s edits in Snapseed

iPhone 5s  No edits
What really surprised me here was the dynamic range.  Bright sunlight to shadows
and back to blue skies and really good color.

Gig Harbor, Washington ~ Fishing trawler
iPhone 5s edits in Snapseed

The New Oregon Fishing Trawler in Gig Harbor, Washington
iPhone 5s edits in Lightroom 5.5

Gig Harbor, Washington ~ Waterfront and Net Sheds
iPhone 5s edits in Lightroom 5.5

Photographing Architecture

In my mind photographing architecture use to be shooting buildings.  Period.  I didn't think in terms of the full definition of the word and how architecture applies to landscapes, design of light and shadow, physical structures of all types, ambiance of space, materials, technology, social consideration and environment.

Condominiums in Downtown Seattle, Wa
The features of this condo seem appealing at first glance and
geometrically speaking it looks nice.  But with the proximity
of the office building hovering immediately over each balcony
it feels intimidating.  Then the terraces or balcony of each
of the units have a very clear view of the balcony just to one
side of them.

Structurally speaking I really like the look of the condo and
the office building right behind it.  But socially it seems
awkward.

Once I started thinking in terms of something other than just a geometric structure I began to look at how I wanted to photograph architectural structures and how they fit into the space they occupy.  In fact once I began thinking differently, I began to see differently.  I still look for geometric shapes as one of the first things that catch my eye, but now I look a little closer. Walking around the subject, going in it, looking closely at the texture of the materials and looking at how it sits in relationship to other buildings. In the urban landscape the social factor is important as well.  As a cultural symbol of city dwellers do these condos/apartments offer a feeling of being socially connected or separated?  Do the towering office buildings fit comfortably in the whole landscape and offer a welcoming presence or a foreboding one?

Some structures are true works of art, others appear to have been built with efficiency only in mind.

When traveling I used to get up in the morning grab my camera, batteries, extra cards and take a walk around the city looking for interesting building to photograph.  Now I prep my walk the same way but know that my time out will be much more interesting and a great deal more enlightening and maybe a bit more challenging. Photographing the way I do now I'm more likely to meet people because I'm getting in closer.  I'm learning a little more about the area I'm in and the history of the building(s) I'm shooting.

Office building downtown Seattle, Wa
This rather featureless structure only offers a static geometric design and
a textured veneer of some interest.  The fact that it's sitting alone (there are other building just outside
the frame of this shot) gives it this monolithic feel, which I kind of liked.

The artistic design work and thought that goes into the interior of urban buildings is also important to how the structure fits into an area.  That foreboding feeling you can get from a building that doesn't have any inviting features or a welcoming presence can feel intimidating.

The Convention Center in downtown Tacoma, Washington is a
perfect example of a welcoming building.  It's all glass, metal
and wood.  Standing outside you can see right through
it and standing inside you still feel like you're right in the
heart of downtown.

Fitting into the area and asking people to come in is important. It can give a kind of personality to the place.  I've walked past buildings that I thought I wanted to go into only to find an unwelcoming feeling at the lobby door.  I suppose that could be on purpose in some situations but I prefer a personality that's a bit more inviting.

Getting into some of these buildings may seem like a daunting task in itself but I've found that, like most things, a smile and a sincere approach can get you in to most places. The day I photographed the inside of the Tacoma, Washington Convention Center it was closed and locked.  I walked around the building and saw the convention center office, went in and told the front desk that I was an amateur photographer and was interested in architectural photography, loved this building and would love to have a little tour.  In just a couple of minutes they were kind enough to find someone to take me around.  You just have to ask.

As far as camera gear goes it's a matter of what's important to you with regard to image quality.  But the one thing that is important is having a little bit of a wide angle lens.  I find at least a 28mm wide lens is good and most cameras can achieve that easily.

For any interior photos a tripod would be helpful but you can always look for a ledge of some kind to rest the camera on and put your 2 second timer to work.  I like plenty of depth of field so a larger f stop, say f5.6 to f11, works best for what I like but remember that the bigger the f number the slower your shutter speed so you'll definitely need a solid purchase for your camera.  I like to keep my ISO number relatively low also, say around 200 to 400, so I can avoid the digital noise issue. Again, low ISO, high f stop equals slower shutter speeds, so you'll need support for your camera.

Seattle, Washington, office building

Seattle, Washington, condominium

The Westin Hotel, Seattle, Washington (one of the two towers)

So for me the whole idea of shooting buildings has become a more encompassing process.  Look up, look down, walk around and look in, when you can.  Meet some folks and ask some questions.  You'll find out something about the building, meet some new people and maybe get access to places you might not have otherwise.

I go light too.  One camera, one lens and the usual extras; batteries, cards, cell phone and business cards if you have them. You may meet someone who might like to see your photos.

A few more photos can be seen here:
https://www.flickr.com/photos/tomcollinsphoto/sets/72157623792319688/


Thanks for following along.

Tom

Beacon Rock 25k and 50k Uphill Run, Beacon Rock State Park, Washington

This past weekend was spent with a group of amazingly nice folks with a very deep devotion to physical fitness and sharing in that love together by running either a 25k or 50k uphill race on trails through Beacon Rock State Park.

The Runners getting ready

I went along, not to run, but to be with friends who did run and we spent the weekend camped at the park.  The race, scheduled for Sunday morning at 8am  drew an estimated 300 runners and their families who all camped in the group campground.  Rainshadow Running sponsored the race and and put on an excellent event.

And they're off

Activities began as early as Friday night with a "Hash" run, loosely described as "beer drinkers with a running problem" and as you might expect it's a race that includes frequent stops for beer.  There were more races on Saturday and runners and campers descended upon the State Parks Group camp grounds beginning as early as Friday night. Well the only folks there on Friday night were us three and a new friend Conner Meakin. You can see Conner's Blog here .

Conner Meakin

But by Saturday afternoon the park was full, tents were up and everyone was having fun.  By that night people were gathering by the fire to meet each other and talk about the race in the morning.  George, Herb and I retired early in anticipation of the 8am start time for the race.

Rain Shadow had prepared the area well with flags on the course, breakfast foods at the starting point, races for the tots and a promise of prizes, food, beer and live music at the end.  And they came through with it all.  A wood fired pizza oven showed up and started turning out some of the best pizza I've ever had, a truly wonderful folk band played, beer was cold and children were happy and playing everywhere.  It really was an absolute success.  Props to the group from Rain Shadow Running for putting on a truly good time.

The band was playing by noon and the after race party was on.

Wood fired Pizza all the way from Olympia

George finishes in a very respectable time.

Herb finishes shortly behind George

And the beer was cold, good and in high demand

Without too many race activities to attend on Saturday the three of us decided to take off and look over the local area. Highway 14 along the north shore of the Columbia River in "the gorge" is another one of the most beautiful areas you'll see in our fine state. The views are magnificent and there's no shortage of things to do, to see and places to eat.

Beacon Rock State Park

Our first stop was a town in Oregon known as Cascade Locks. After you pay a $1.00 toll to cross The Bridge of the Gods from Washington to Oregon you enter this small and friendly town rich with a history that dates back to 1875 when locks were constructed to aid the settlers who were traveling from the east to navigate the intense rapids of this area.

The Bonneville Dam, fishing, wind surfing and sailing, hiking, climbing and boating are all available in this area.

The Bridge of the Gods (in the distance) and fishers (fishing for Shad) along the locks

Wind Surfers on the Columbia River

The Bonneville Dam on the Columbia River (and open for tours)

Turbines inside the Bonneville Dam

 All the photos for this trip were taken with the Fuji XT1 and the Fuji 18-55mm f2.8-4 kit lens.

Thanks for following along.

Tom

Travel to Victoria, British Columbia with the Fuji X100s

I've had my Fuji X100s for a couple of weeks now but haven't had an opportunity to travel with it. The challenge for me with this new camera was to see if I needed anything more for my photography needs when traveling, ie; zoom and wide angle lenses, filters, tripods, flashes; in other words an extra bag just for my gear.  This post is a result of purposefully traveling with nothing more than my X100s, two spare batteries, extra SD card and cleaning cloth; all of which fit nicely in my front pant pocket.  All the photographs in this post were taken with that camera.

The trip;  Victoria, BC on Vancouver Island in the Pacific Northwest.

Living in the beautiful Puget Sound Region of the Pacific Northwest lends itself to some of the finest travel around.  Seattle and the many stunning small mountain and harbor towns of Washington.  Portland Oregon and the Oregon coastal communities.  And just a little farther south, the incredible Red Woods of northern California, San Francisco and of course; the mesmerizing coastal highway, US 101.

Leaving Port Angeles, Washington on the Coho Ferry.

For something a little different and for as little as $17 and a 90 minute boat ride on the Coho Ferry out of Port Angeles, Washington; you can be in an other country and experiencing another culture.  Beautiful Victoria British Columbia on Vancouver Island.  It's located directly across the Straits of Juan DeFuca from Port Angeles, Washington.  The Black Ball Express operates The Coho and provides all of the comforts you'll need for the short ride.  A duty free shop, a food galley, comfortable seating for about a thousand people and big windows.  If you plan to drive around once you get to Victoria, there's even room for your car at a slightly higher fee.  However, I've never found a need to drive and find everything I need and want to do in Victoria easily accessible on foot, by boat taxi or regular cab.  Of course, there are also scooter and car rentals available on the island as well.

Welcome to Victoria, BC.  I'm on the Coho and actually leaving in the photo below.  The weather in Victoria is pretty similar to the weather throughout the Pacific Northwest, but maybe just slightly better. On this trip we had glorious sunshine for three of our four days and on the last day it clouded up and began to sprinkle.

View from the back deck of The Coho Ferry looking toward Victoria's Inner Harbour.

Traveling to BC you'll need all the usual papers for traveling out of the US.  Passports are best, but make a call and check first.  Arriving in Victoria's Inner Harbour puts you right in the middle of everything.  Hotels, restaurants, shopping, museums; are all within walking distance of the ferry landing dock.  If you have extra baggage, there are always cabs waiting right out front of the terminal.  Cab fare to just about anywhere in the city is usually under $10.

Once you're on the streets you'll see the wonderful preservation of Victoria's old buildings.  Anyone building in Victoria is only allowed to remodel the interiors of it's buildings and fix up the exteriors.  They may not tear any of the old buildings down and the result is a city of extraordinary old world beauty. Local and name brand shops are housed in these buildings, as well as some of the best restaurants you'll ever dine at.

The variety of cuisine in this town is phenomenal.  It is truly a world class culinary experience.  A favorite breakfast spot to frequent is The Jam Cafe, where the line to get in for breakfast on the weekend can be a little daunting, but so worth the wait.  Their "Caesar" (bloodymary) is one of the best I've ever had.

Huveos Rancheros from The Jam Cafe

The Huveos Rancheros were perfect. Another favorite for breakfast, if you feel a need to add something healthy and add some delicious fresh fruit to you diet is Cora's on Douglas Street.  Believe me, you'll get your daily serving of fruit at this place.  Breakfast, lunches, dinners are all excellent at so many places you just about can't go wrong anywhere you chose.

From easy walks around the city, China Town, High Tea at the Empress Hotel,

Lisa and Emma (my wife and daughter)
 at the entrance to China Town

One of the many welcoming doors to
the shops in downtown Victoria

water taxi rides in the Inner Harbour, to a double decker bus ride to Butchart Gardens; there is  much to see and do.

The Government buildings are open to the public and are stunning structures inside and out. The British Columbia Museum of Natural History is one of the best bargains you'll find for a good half days entertainment.  The rich and colorful history of the north American Indian is shown and told with magnificence and grace.

Totems in the BC Natural History Museum
Fuji X100s shot at ISO 3200

One of the Government buildings open to the public.

The dome (partially) inside the main Government building.

For those who love gardens, the tour to Butchart Gardens is an absolute must see.  The double decker bus that transports you is located in front of the Empress Hotel and the fee to the Gardens is $25 (RT).  You can also include the ticket price to get into the Garden as well for an additional $24.  So for $50 you get a very comfortable 35 minute ride in a double decker bus, a great narrative of the area along the way and your tickets into the Gardens.  The buses come and go every couple of hours.  (Be sure to tip the driver, he's full of good information and very nice.)

Butchart Gardens

Butchart Gardens

Come back to town from a day of sightseeing and stop at any of the dozens and dozens of coffee shops, log on to the free wife networks, check your email and relax before heading back to the room or out to dinner.

If you're a night owl, get ready for some real fun.  The bars in Victoria are great, lively, and happy places to be.  Live music in most places seven nights a week and the atmosphere is fun, fun, fun! The people everywhere are civilized, easy going, conversationalist and open to meeting new people.

So, wondering where to go for a great little weekend get-a-way?  Try Victoria British Columbia.  You'll love it.  We do every time we go!

Oh yeah, and the Fuji X100s was the perfect photographic travel companion.  Not once did I wish for longer or wider, or this and that, it just hung nicely around my neck or rested comfortably in my hand and gave me all the images I wanted.  Wonderful camera.

Thanks for reading.
Tom