Monday, July 23, 2012

Keeping My Hobby Relevant

I'm not a Professional Photographer.  I'm an Amateur Photographer and I do what I do for the fun of it. I happen to be at this awkward place right now, and have been for several months, where I'm feeling challenged to find the fun in what I do with a camera.  I still like to think about going out taking pictures, I like thinking about editing my finds in Lightroom and I like getting feedback from family and friends about the pictures I take.  But what I'm starting to think about is WHY.  Why do I spend this much time with a camera and in a digital darkroom.  Why do I try so hard to find the next photograph, the next place to go, the next best editing tools, the next best cameras?  I'm not trying to "go pro" so...


It's not that I don't like doing it, thinking and reading about photography, it's that I don't know what to shoot anymore.  Flowers?  Really I've seen enough and I have enough flower shots to last me a life time.  I know the approach here is to "find your own vision of those flowers".  O.k., I get that but I've shot them in every way I know how and that's enough.  Street Photography; I like it, it's fun, it can be challenging, but what's the point? After a decade of shooting "the street" I have a gigabyte or more of street shots that are good, not great, but good and so what?  And so on.  I've been taking pictures for a long time and I love it.  I really do enjoy being behind a camera, seeing the light, waiting for a moment and seeing the results.  I just wonder what the point is.

Or is there a point?  Maybe I'm missing the whole idea.  I don't really have any ambition to be a paid professional photographer, I don't aspire to fame, although I do like recognition and I would be in deep denial to think otherwise, 

I do like seeing the light and being aware of what's happening around me as I anticipate the possible shot.  Maybe all I'm trying to do is to stop trying so hard to get the next exceptional image.  Maybe I should just quite over thinking it so much to the point that it takes the fun out of it.  Maybe I should just shoot for the fun of it...like it used to be.


This past weekend we went camping with some friends.  I went without over-thinking how I might want to capture the weekend on camera, but instead decided to just bring the camera for some family camping snapshots.  If while I was there some pretty or interesting images would present themselves then I would get them as just a matter of seeing something worth taking a photograph of, besides just documenting the camp trip.  And I did.  There was beautiful scenery all around, including some wildlife, families having fun in the water, camp site cooking, in other words beautiful images of life were all around and I didn't have to think my way through any of it.


 It all just was and all I had to do was have fun with my camera, making adjustments, composing and firing away.  Life is so easy when you just let it be and you just become a part of it.





 I didn't think I had to get up before sunrise or leave the party to catch the "magic light" I just let myself be available to the light there was.  I'm not saying that chasing the light is a bad thing, it just doesn't always have to be the thing.  I came across this duck while taking a walk and stopping for a break on a public dock.  I wasn't out looking for wildlife shots, I was taking a walk and the duck swam up.  Picture.
So keeping my hobby relevant isn't a struggle after all.  It's just a little more fun, a little easier and very much a part of my daily life.  To quote a blogger I like, Robin Wong at http://robinwong.blogspot.com/ who authors "The origin of Shutter Therapy", he loves doing "shutter therapy" just for the fun of it.  And so do I.
All photographs in this entry were taken with an Olympus OM-D EM5

Yours Truly.

Monday, October 3, 2011

Photo Projects

This is a great time of year to start thinking about photo projects, and not necessarily those kinds of projects that get you out shooting.  Although when the weather is right, get out and shoot.  What I'm referring to are those types of projects that don't get done because we are always out getting new photos and never seem to find the time to do the other stuff.  The fun stuff that let's us see what we've been doing with photography all year long.  The kind of stuff that we don't want to do; like cleaning up our file system, backing up (which we should have been doing all along) and organizing our photos with keywords, tags and ratings.


Our weather in Washington can have a way of keeping us in-doors during the cold wet winter months. However; just because we're 'stuck' in the house doesn't mean we have to stop having fun with photography.  I use this time to catch up on many of the things that I like to do such as;

Creating the family photo album for the current year.  Our family still likes the old fashioned way of looking at photos, sitting together at the kitchen table and flipping pages in albums.  So I go through the past years photos month by month, pick my favorites and print them on 4x6 photographic paper (I use the Costco  brand and have for years, it's good paper at a great price and hasn't shown any signs of fading).  Then pick up an album that will hold the number of prints I finished up with and put them in the album. I try to finish each years album project by New Years Day and that gives us a fun way to welcome in the new year and offers a planning opportunity for the coming year.  I now have 10 years worth of these.  It can be time consuming, but it's the kind of wet winter project that you can take as long as you like doing and it's fun along the way to visit all that you did last year.  If you don't have a printer just create folders on your computers desktop for each month and use one of the many on-line printers (Costco, Mpix) and upload a folder.  You'll usually get your photos back within days.

Prints, framing, photo books and gifts.  Now is the perfect time to look back at your photos from the past year and find some of your best work.  Look around your house and see what walls need refreshing with new photos and go shopping for frames (Aaron Brothers has a One Cent sale twice a year - buy one frame get the second for 1 penny ~ a great deal.)  I like changing out the art in my house once or twice a year and sometimes make it a seasonal thing.  By that I mean I'll hang winter photos during the winter months and spring photos in the spring.

Now is also a good time to think about Christmas gifts for family and friends.  There are so many on-line companies that will produce coffee mugs, calendars, aprons, T-shirts, etc with your photos.  Now is a good time to start picking your favorites and placing your orders.  My mom loved getting a new calendar and an apron every year with the grand kids photo right on the front.

Organizing my photos from the past year.  This is something I try to do as I go, but it never really happens perfectly.  So, I use the dreary days of winter to go through my files of the past year, month by month, project by project and delete any files that I don't want.  I tag, keyword and rate the ones I like and then back the whole bunch up to an external hard drive.  Actually, I backup much more frequently than once a year and would advise everyone to do the same. 

So those are the activities I look forward to with the onset of our shortened, rainy days and gray skies. I don't stop shooting; but the opportunities are certainly less frequent.  With so much extra time at home I find myself still engaged with photography, organized, supply happy friends with fun gifts, new art hanging in my house and a photo album to sit and plan next year with.

Thanks for visiting and Happy Shooting.
Tom


Sunday, September 4, 2011

Packing for a trip to the Reno Air Races

I will be adding to this post in the coming days as I go nearly crazy trying to decide, what to pack, how to pack and what gear to bring along on a trip to Reno for the Air Races.  It will be hot, lots of people, lots of walking, lots of cool airplanes, lots of speed.  And did I say hot and lots of people?  Last year it was right at 100 degrees and about 150,000 thousand people.

September 26, 2011;  O.k., so it's a little later than I had intended it to be for this update but after all the events at the race, I wasn't even sure if I wanted to keep doing this especially about something as trivial as bags, packing and gear.  But a few weeks have passed, the horrific events of the race are settling in and it feels like life, at least for some, is looking normal again.  For those of whom that it is not, my deepest and most sincere condolences.  I won't report on the events here for the primary reason that I wasn't at the airfield when it happened and enough has been said in the news.  I, and a good friend of mine, had chosen to leave the airfield just before that race was to commence and because we did we were fifty miles away in an old ghost town taking photographs.  I am happy to say that no one that we knew and no one from the Merlins Magic Crew were involved or hurt.  So, having said that I'll get back to where I was with the trivial matter of bags, packing and gear.


Gear:  As far as what gear to bring that wasn't too hard.  I knew there would be lots of fast moving objects and most of them would be kind of far away.  This Air Force jet for example is traveling around 550mph and while only a fraction before this photo was taken it was level and 300 yards away, by the time I started firing it was going nearly vertical with the afterburners on.  So my Nikkor 70-300 zoomed all the way out was needed.  As far as camera bodies go I really like to travel light but for an event like this the "big guns" are needed for speed as well as full frame sensors for the best possible resolving power.  That meant the Nikon D700 had to have a place in the bag.

Knowing also that there would be lots of people, crowded walkways and airplanes parked in the "pits" with mechanics working on engines in tight spaces something on the wide side for a lens would be important so a Nikkor 24mm and 35mm also found a home in the bag.

I had planned as well to go out into the desert for some ghost town exploration and knew that some macro photography would also come into play so a Nikkor 105mm macro lens also needed a place in the bag.

Of course there's the customary batteries, compact flash cards, cables, filters, lens hoods, cell phone, iPad, gum, magazines and power bars.  Oh, and a tripod.  Plus clothes for four days.

All this was complicated by the fact that we would be flying to Reno on a Dash 8-400.  Nice airplane (a little slow) but not much overhead storage so I knew my roll-on bag (Rick Steves ~ 21" Roll-a-board http://www.ricksteves.com/) would get checked at the gate.  Knowing that I didn't want any expensive gear in that bag I broke down my tripod and put into the roll-on, batteries, cables and other stuff I didn't need access to in flight went into the roll-on and only my camera body and lenes stayed with me in a Crumpler 7million dollar home http://www.crumpler.com/US/ (funny name for a bag) and only ended up weighing about 15 pounds (still heavier than I like to lug around but for the most part it rode on my roll-on until we boarded.)

One of the things that was important to me was to not haul around a big camera bag, either on my back or over my shoulder.  Like I said, it's hot and there's lots of people and it is an all day affair.  So for me a "Black Rapid" shoulder sling http://www.blackrapid.com/product/camera-strap/rs-7/ proved to be just the right thing.  That with my camera hanging on it and an extra lens in one cargo pocket of my shorts, battery, card and cleaning cloth in the other pocket and I was set.  Hands Free and nothing hanging around my neck or on my back.

For the rest of the trip, out in the desert and visiting ghost towns, I just kept everything in the Crumpler in the the back of the rental car.

Tragic events not withstanding, the trip was good.  It took some time to adjust to what had happened and it happened on the second day of a four day trip.  Since the races were called off we decided to make the best of it and spent our last two days out shooting in Nevada's beautiful high desert and the Sierra Nevada Mountains.

















Above is Richard Massey, Artist in Residence at the Fort Churchill State Park.  Wonderful fellow who was kind enough to give us a personal tour of the park and the old Bucklin Mansion.

The ruins to the right are two of the remaining buildings at Ft. Churchill.














More photos from this trip can be seen at either; http://www.tomcollinsphotography.com/Travel/Nevada/19132364_2dgrjz#1489964033_9vrZN9v or at;  http://www.flickr.com/photos/tomcollinsphoto/

At summers end

It's Labor Day weekend and our short summer here in the Pacific Northwest comes to an end.  Actually we're having the best part of summer just now.  For us it hasn't been the best year for weather but compared to the rest of the country we can be considered lucky. 

Photography wise it's been a tough time to get motivated, up until now, because the summer was so dreary, wet and cool.  But now the sun has finally come out and everyones flower gardens are in full bloom although they wont be around long, so hence this post to say get out and get what you can.  And with the beautiful fall colors just around the corner, these flower gardens won't last much longer.

These photos of a variety of flowers shot at Point Defiance Park in Tacoma, Washington were shot in the middle of the day with the sun high in the sky.  I was using both a Canon S95 (handheld) and a 
Leica X1 mounted on a tripod and using a polarizer.

The black backgrounds were achieved using a large piece of black poster-board and handheld behind the flowers.  Because the sun was so bright the originals don't show quite this black.  They're actually a little more gray, but thanks to Lightroom and the little "black" slider, a little exposure adjustment and some cropping, I was able to get the nice, deep blacks you see here.

Part of what makes photography fun, for me, is access.  Easy accessibility is key to happy shooting for me.  I don't mind working for a shot, a hike, a kayak trip, asking for permission, deep and intense planning, but when I get one of those ever elusive ideas of something I want to take pictures of, the easier it is to get to, the more assured I am of going to get it.  I'm not lazy, well maybe a little, but I am busy.   

I was so happy with these that I went to a fabric store, bought a yard of black cotton/poly material that was dark enough to not see through, would wash easily and didn't wrinkly to badly.  I used some adhesive tape designed for holding fabric together and made a pocket at the top of the long end big enough so I could insert my walking stick into and be able to use it as a way of holding the backdrop behind a subject and still be able to release my shutter.  The whole set up cost around $11, folds up nicely and doesn't take any valuable space in the camera bag.  Just another easy and inexpensive way to control a setting without actually doing anything adverse or changing mother nature in any way.

Happy shooting.

Monday, July 19, 2010

Snap-shooter vs. Hobbyist vs. Professional vs. Amateur

I know it’s not important to many people but to me titles help define things.They can have a negative effect by doing the same thing and boxing it in. At times I even want to title a photograph I’ve taken, but I resist that for fear of restricting the vision of the viewer.  But somehow knowing, by title definition, what I think I am with regards to photography, helps me understand my own vision about what I’m doing.

I love reading the vast collection of books and essays written on photography and by photographers, as well as, looking through the collections of books of photographs by other photographers.  Of those there are several that I particularly enjoy and I find myself reading them over again several times.  One such book is Mike Johnston's ( www.theonlinephotographer.com, )The Empirical Photographer in a section titled The Photographers’ Menagerie – A Typology of Photographers, he list types as “The Snapshooter”, “The Hobbyist”, “The Professional”, “The Amateur” and “The Artist”, who’s description, by the way, is noted in Mikes book as; “The Artist is the Amateur who succeeds”.

The reason I mention this references is to make some distinction about where I think I am in Mike’s typology.  Of course for the full understanding of Mike’s descriptions, his book is a must read.  In any event, I believe myself to fall somewhere in between the “Snapshooter” and the “Amateur”.  For some time, because of my addiction to gear, I thought I might actually be a “Hobbyist”, but my need for more stuff seems to have, finally, tapered off.  And my wife is really happy about that.

As a snapshooter, to quote Mike, “He exists in a state of grace; his work is pure, undimmed by expectation, undirected by intention, and undiminished by the imposition of ideas.  His pictures are as immediate, as uncontrived, and as purely photographic in their nature as it is possible for photographs to be.  The snapshooter is supposedly guileless, unrestricted, neither clotted up with tradition nor weighted down by the dulling strictures of the intellect – not only unrepressed, but irrepressible, and free; and the perfect snapshot is a masterpiece of effortlessness, innocence, natural grace, and disingenuousness – nothing less, some people feel, than the ultimate photographic expression.”

As an amateur, to quote Mike, “The term has a derogatory connotation today, implying someone who is unskilled or unprofessional; but the eighteenth-century sense of the word, meaning someone who is motivated by love rather than by tawdry greed, someone whose commitment is un-compromised and whose work remains unsullied by mundane realities, is also well known.” So, although I’ve been down a few different paths in trying to understand who I am as a photographer and what, if anything, I’m intended to do with my photos, I believe that I have found my peace in being a happy snapshot-shooter, with some decent gear and a love for my hobby.  And that makes me happy.